As due to the movements in the atmosphere it is impossible to get sharp images of the objects, Alan has to stream many frames in a short period. He later reviews the video to find the moments of “good seeing” and selects the frames of the best quality. Thus, each final photo is made out of thousands of frames! Moreover, the primary material is all black and white, so Alan has to apply colors and adjust tonality himself. Even though he does want them to look artistic, Alan doesn’t abuse it: “Aesthetic decisions are made with respect for accuracy as well as for the power of the image,” he says.
His observatory “located in a downtown Buffalo backyard amidst streetlights and the turbulent winds of the jet stream, is far from ideally located.” On the other hand, it’s close to home and astronomy equipment is heavy, so Alex tried to make the most of it.
My photographs comprise a solar diary, portraits of a moment in the life of our local star. Most are captured from my backyard in Buffalo, NY. Using a small telescope and narrow band filters I can capture details in high resolution and record movements in the solar atmosphere that change over hours and sometimes minutes. The raw material for my work is black and white and often blurry. As I prepare the pictures, color is applied and tonality is adjusted to better render the features. It is photojournalism of a sort. The portraits are real, not painted. Aesthetic decisions are made with respect for accuracy as well as for the power of the image.
We recommend you visit Alan Friedman’s Website to know more about him.